Everyone is a birdwatcher, but there are two kinds of birdwatchers: those who know what they are and those who haven’t realized it yet.” So begins The Life of the Skies: Birding at the End of Nature, Jonathan Rosen’s investigation into not only the history of bird watching but into its very underlying spirit. While others have previously produced histories of the activity, anthologies of its artistic creations both written and pictorial, and veritable libraries full of instructional guides, Mr. Rosen, an accomplished novelist and presently the editorial director at Nextbook, has in this present work given the bird watching community a portrait of itself that discloses many of its deeper psychological aspects that have been too often missed by previous authors. Read the rest of this entry »

The decision to review the recently published National Geographic Ultimate Field Guide to Travel Photography (National Geographic Photography Field Guides) in The Well-read Naturalist was not one made lightly. After all, WRN is explicitly dedicated to books pertaining directly to the study of natural history in all its myriad forms. Would a book providing advice and instruction in how to be a better photographer, particularly as understood from the perspective of a traveler, or a photojournalist assigned to document the sights to be seen and experiences to be had in a specific geographic place, be of use or interest to naturalists? However after having read it and discovering that the information, advice, and inspiration it provided began almost immediately to influence my own field photographic work on natural history subjects for the better, I could not but help to record my impressions of the book here for the benefit of all.

Written by National Geographic Traveler’s senior editor Scott S. Stuckey and with considerable contributions from fifteen of that publication’s finest photographers, the National Geographic Ultimate Field Guide to Travel Photography begins with something all too many books on photographic subjects for a widely diverse audience neglect – a brief but effective overview of the important concepts and skills needed to understand and employ the techniques that will be presented later in the book. Such a beginning may seem redundant to some; however to the beginner still working to master many of the elementary concept of good photographic practice such an overview is both helpful as well as instructive, and to the more experienced photographer, who may have worked him or herself into a personal technique rut, it is a reminder not to neglect a different way of capturing an image that might be outside of an established comfort zone. To this reviewer, it spoke clearly of the author’s commitment to the idea that the book’s primary purpose was as a vehicle for instruction; that he genuinely wanted to help all who read it to improve their respective photography skills.

As might be expected from an institution that has become world famous for its ability to convey unforgettable stories using both words and pictures, immediately following the overview of the “core concepts,” Mr. Stuckey and his collaborators address the importance of narrative in any collection of photographs. This perhaps may be the single most overlooked idea among amateur photographers who think most commonly in terms of the individual subject in each individual photograph but fail to connect the subject to its background (and vice versa) or to develop a connection between a group of photographs. While the emphasis is placed squarely on, and the examples given drawn from, travel photography, its applicability of the information presented to most every aspect of nature or landscape photography is astonishing.

Following these two topics, the book advances into more specific areas, beginning with the importance of, quest for, and discovery of authentic photographic subjects, to how to photograph in the challenging lighting conditions of cities (the parallels of which to natural environments, especially canyons and forests, are easily drawn and wholly appropriate), rural and countryside photographic subjects, and concluding the section with a chapter exclusively dedicated to nature-oriented subjects. Each of these chapters is not only a didactic presentation, but is also liberally interwoven with the advice and experiences of the fifteen photographers whose expertise Mr. Stuckey drew upon for the creation of the book.

Ultimately concluding in a similar vein to that in which it began, with advice on (this time) more advanced technical and work-flow topics such as image management and a two page series of notes titled “Useful Information” (and indeed it is), the National Geographic Ultimate Field Guide to Travel Photography well proves itself to be far more than well worth the time spent reading it. The information and advice it contains is so well presented and immediately applicable to most everyone who uses a camera out-of-doors or on “on the road” that it should be considered as a “must read” for all concerned. Furthermore, the inspiration it is capable of providing goes well beyond the objective sum of the techniques its author presents in its pages. The encouragement to see every photograph as a puzzle to be solved, to view everyday scenes in their potential to be organized into a image that conveys not only momentary visual pleasure but an entire story, is a significant element of the mind of a great photographer. For this more than perhaps all else, the reader of this book will profoundly thank Mr. Stuckey, National Geographic, and all who contributed to it with each improvement they notice in their own future photographic work.

Title: National Geographic Ultimate Field Guide to Travel Photography (National Geographic Photography Field Guides)

Author: Scott S. Stuckey

Publisher: National Geographic

Format: paperback; 160 pages

ISBN-10: 1426205163

ISBN-13: 978-1426205163

In accordance with Federal Trade Commission 16 CFR Part 255, it is disclosed that the copy of the book read in order to produce this review was provided gratis to the reviewer by the publisher.

With the recent announcement from Apple regarding the forthcoming iPad product, particularly its applicability as an electronic text (e-book) reading device, a number of questions regarding the possible effects it may have upon the book trade should begin to be contemplated. As many people are touting the iPad as being as revolutionary to the written word as the iPod was to recorded music, the potential for it dramatically to change the way books are published, bought, collected, and read is indeed very high. That said, what follows are a few of the questions I have been pondering since the announcement of the iPad. The posting of them here is intended as an invitation to all who may also be contemplating these as well as their own questions on the subject to engage in a discussion that may help all concerned to develop a more rich and nuanced understanding of the topic. Read the rest of this entry »

In his famous work Parerga und Paralipomena, the philosopher Arthur Schopenhauer put forth the dilemma faced by a group of hedgehogs who need to huddle together in order to share one another’s body heat and thus better survive the cold. However despite their best intentions, the closer they get to one another, the more pain each one causes the others due to their respective spiny exteriors. This parable has, since Schopenhauer’s first publication of it, been widely used to explain the dichotomy of human relationships – how it is often the case that the more two people want to be emotionally close to another, despite their best intentions, they cannot but help increasing the amount of pain inflicted upon each other. However in Hugh Warwick’s The Hedgehog’s Dilemma: A Tale of Obsession, Nostalgia, and the World’s Most Charming Mammal, the situation is given a slight twist in that it is not the hedgehog that is wanting to be close to humans, rather it is the humans who are becoming closer to hedgehogs, either willingly or simply as a resulting effect of the human-caused changes on the natural world, and thus inflicting harm upon the hedgehogs – and quite possibly ourselves as well. Read the rest of this entry »

The search for the solution to what Sir John Herschel famously called the “mystery of mysteries” – how new species come to exist – has brought a myriad of remarkable creatures to the attention of science. From Deinonychus to Darwin’s Galapagos finches, every discovery has added another clue to the assembled body of knowledge that may someday yield the solution. Yet after reading Sean B. Carroll’s Remarkable Creatures: Epic Adventures in the Search for the Origins of Species, the reader is left with another tantalizing question to ponder in addition to Herschel’s mystery; that question being which are really the more remarkable – the creatures that have been discovered in the one-hundred-fifty year old quest for the mystery’s answer or the “creatures” (meant rhetorically and with the greatest possible respect, of course) who made the discoveries. Read the rest of this entry »

At long last the much anticipated second edition of the Collins Bird Guide: The Most Complete Guide to the Birds of Britain and Europe by Lars Svensson, Killian Mullarney, Dan Zetterstrom, and Peter J. Grant is now available in a jacketed hardcover edition with the paperback edition still scheduled for release in March of 2010. NHBS Environment Bookstore in the U.K. lists the hardcover edition as being in stock; however Powell’s Books in the U.S. is not yet showing the book as available through their own locations. As this book has been so long anticipated and will be in such high demand, it may take the distribution links outside the U.K. a bit more time to secure copies of the book for sale. As of this writing, The Well-read Naturalist has not yet received a review copy. Be assured that once we have, a review will be published in as timely a manner as possible.

When it comes to field guides, Princeton University Press has long held a position of honor and respect among both professional and amateur naturalists for consistently providing exceptional levels of accuracy and attention to detail. With its new and updated illustrations, revised identification information, and the addition of twenty recently recognized species to its contents, the new second edition of Mammals of North America by Roland Kays and Don Wilson more than upholds this well-earned reputation. Read the rest of this entry »

Lee Welles, author of the award winning Gaia Girls novels, recently provided her readers with a sneak preview of the long-awaited third volume in the series. Ms. Welles read from the first chapters of the forthcoming book, titled Air Apparent, during the December 31, 2009 “Blue Moon Special” webcast of her Blog Talk Radio program. Judging from the portions of the work Ms. Welles read during the webcast, readers can expect Air Apparent to be just as captivating and enlightening as were the first two Gaia Girls volumes – Enter the Earth and Way of Water. No date for the publication of Air Apparent has yet been announced.

One of the true joys of both reading and bird study is the practice of simply doing it for unapologetic personal pleasure. In the world of books, the trend toward “utilitarian books,” those intended to impart to the reader some great secret that will improve their business, romantic life, or cholesterol levels has largely displaced many older genres that really made reading an enjoyable part of life. Of these, the miscellany has perhaps suffered most. Lacking a Puritanically measurable purpose, these wonderful collections of facts, literary snippets, personal reflections, and assorted other discoveries, despite being a bane to classification and stocking for the modern bookseller, are a genuine joy to read. Fortunately, the authors and publisher of Winged Wonders: A Celebration of Birds in Human History have defied this trend and given us all a gift for which we should be most grateful. Read the rest of this entry »

Prior to reading Richard Fortey’s Dry Storeroom No. 1: The Secret Life of the Natural History Museum, I honestly cannot recall audibly exclaiming “Bravo!” upon completing a reading of any book. Such is the effect of Professor Fortey’s prose – it wraps one up in a continuous flow of fascinating scientific insights, superbly wrought historical vignettes, and exceptionally human biographical portraits such that upon completing it the first emotion that one feels is the wish for it not to have come to an end.

With a style that is at once both learned and familiar, Professor Fortey leads the reader not only through the public galleries of the London’s magnificent Natural History Museum but back into the labyrinth of unseen passages, scholars’ chambers, research labs, storerooms, and other hidden places. Along the way, not only are the various areas of research undertaken by museum staff, both past and present, discussed, but a generous amount of legend and lore are also disclosed such as would only be known to someone who has spent an entire professional life as a member of the museum’s scientific staff – and be assured, not all of it is of an entirely scientific nature (wink, wink). Read the rest of this entry »