This week, Mark takes up Anna Pavord’s reflections upon the British landscape, and its changing social and artistic representations, as collected in her 2016 book “Landskipping; Painters, Ploughmen and Places” from Bloomsbury.
Landskipping
This week, Mark takes up Anna Pavord’s reflections upon the British landscape, and its changing social and artistic representations, as collected in her 2016 book “Landskipping; Painters, Ploughmen and Places” from Bloomsbury.
I couldn’t help but find it particularly ironic that the day after the first rains my home state of Oregon had seen for months finally arrived, providing much-needed help to the valiant fire fighters working around the clock trying to extinguish the massive forest fires raging throughout the state, that a copy of Edward Struzik’s new “Firestorm” arrived on my desk from Island Press.
If there was ever a more appropriate time than the beginning of The Wildlife Society’s annual conference to publish news of the recently published “Becoming a Wildlife Professional” from Johns Hopkins University Press, I cannot think of what it might possibly be.
It only took me a few pages of reading in Leslie T. Sharpe’s “The Quarry Fox And Other Critters of the Wild Catskills,” recently published by The Overlook Press, to find myself wondering if I wasn’t in fact reading a long-lost essay by sage of the Catskills himself, John Burroughs.